. . . As much as Pinkie despises Rose, they share a similar outlook as self-identified "Romans," or Catholics. To Pinkie, who even Rose admits is explicitly evil, there is nothing so disgusting as a woman like Ida, who cannot be reduced to either good or evil because she is not Catholic. Greene presents us with axes of good vs. evil and right vs. wrong that do not coincide; Pinkie thinks that he must be right to be a Catholic but he has thrown his hat in with evil because it is a much realer presence to him than good. There is a shade of Gnosticism to this novel; what Pinkie and Rose value is the knowledge of God but not the adherence to His will. And what are we to make of a sympathetic character like Rose anyway, who damns herself willingly out of love? Here is a passage:'I know one thing you don't[,' said Ida]. 'I know the difference between Right and Wrong. They didn't teach you that at school.'
Rose didn't answer; the woman was quite right: the two words mean nothing to her. Their taste was extinguished by stronger foods Good and Evil. The woman could tell her nothing she didn't know about these she knew by tests as clear as mathematics that Pinkie was evil what did it matter in that case whether he was right or wrong?
As in The Power and the Glory, Greene shows that he understands the complex question of religious ethics better than anyone. If we are to choose between the benign non-religiosity of Ida and the willful evil of Pinkie's religion, what must we choose?
Emphases mine; sophisticated analysis
his.
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